identify a television programme that seeks to appeal to an unequivocally middle-class audience ? Discuss the reasons behind your choice – GradSchoolPapers.com

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identify a television programme that seeks to appeal to an unequivocally middle-class audience ? Discuss the reasons behind your choice.
Order Description
Please refer all 4 of the readings in the bibliography
Mark Gibson and John Hartley, ‘Forty Years of Cultural Studies: An Interview
With Richard Hoggart’, International Journal of Cultural Studies, vol.1
no. 1, April 1998
Richard Hoggart, ‘The Neighbourhood’ and ‘The Juke-Box Boys’, from
The Uses of Literacy (Chatto & Windus 1957)
Andy Medhurst, ‘If Anywhere: Class Identifications and Cultural Studies
Academics’, in Sally R.Munt ed, Cultural Studies and the Working
Class (Cassell 1999)
Andrew Tudor, ‘The Way We Were’, from Decoding Culture (Sage 1999)
Raymond Williams, Culture and Society (Chatto & Windus 1958)
– see also the relevant sections of Barker, Bennett, Brantlinger, Hall and Strinati from the Block One list
Please refer 4 essays in the following section in the bibliography
Tim Butler and Mike Savage eds, Social Change and the Middle Classes
(UCL Press 1995)
David Cannadine, Class in Britain (Yale U.P. 1998)
Mark Gibson, ‘Richard Hoggart’s Grandmother’s Ironing’, International Journal
of Cultural Studies, vol. 1 no. 1, April 1998
Richard Hoggart, The Uses of Literacy (Chatto 1957)
Stuart Laing, Representations of Working-Class Life 1957-64
(Macmillan 1986)
Pat Mahony and Christine Zmroczek eds, Class Matters: ‘Working-Class’
Women’s Perspectives on Social Class (Taylor and Francis 1997)
Mary McIntosh, ‘Class’, in Andy Medhurst and Sally R.Munt eds, Lesbian and Gay Studies: A Critical Introduction (Cassell 1997)
Ross McKibbin, Classes and Cultures: England 1918-1951 (OUP 1998)
The Middle Classes: Their Rise and Sprawl, BBC TV series 2001, copies held
at the Library’s Audio-Visual Counter
Sally R.Munt ed, Cultural Studies and the Working Class (Cassell 1999),
especially the essays by Lacey and Bromley
Beverley Skeggs, Formations of Class and Gender (Sage 1997)
Carolyn Steedman, Landscape for a Good Woman (Virago 1986)
Julia Swindells, The Uses of Autobiography (Taylor & Francis 1996)
Imogen Tyler, ‘Chav Mum Chav Scum’ in Feminist Media Studies, Vol.
8. Issue 1. (2008) 17 – 34
Stephen Wagg, ‘At Ease, Corporal: Social Class and the Situation
Comedy in British Television from the 1950s to the 1990s’, in Wagg ed, Because I Tell A Joke Or Two (Routledge 1998)

 
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